![]() ![]() ![]() It’s assumed that some ironic entertainment value can be siphoned from the bizarre haphazardness, but the darker elements (e.g. Chains of inconsequential science fiction and fantasy ideas are glued together with sticky green goblin slime. Most of what’s on screen in both films seems like a vague attempt to conjure horror and suspense, but it’s all blatantly artificial. All of these happenings are punctuated by strange flashes of slimy gore in the world of Troll and its sequel, Troll 2.Įons of insomnia can be obtained attempting to decipher the enigmatic qualitative properties of Troll and Troll 2. In this world, at least one pre-pubescent teen chokes on popcorn during a hot fantasy while trolls hide in his closet. Multi-hued backdrops dribble with green, mossy earth while peculiar teenage characters experience transcendentally vacant confrontations. Somewhere in this parallel universe organic tentacles erupt from the ground and unsightly trolls sprout from organic pods. He says they are evil, impudent creatures that revel in torment, then proclaims that goblin blood is green, the color of sap. He confers with others, predominantly family members, emphasizing the existence of goblins. The corniness is shallow, and the oddness feels contrived, lazy even.ĬOMMENTS: Picture a grandfather named Seth. WHY NEITHER MOVIE SHOULD MAKE THE LIST: The roots of these strange fantasy worlds don’t dig deep enough to be seriously affecting. PLOT: A family vacations in a town full of humans disguised as “trolls.” PLOT: Trolls invade the human realm and turn people into food (and baby trolls).įEATURING: Michael Stephenson, George Hardy, Robert Ormsby, Deborah Reed FEATURING: Noah Hathaway, June Lockhart, Micheal Moriarity, Sonny Bono, Phil Fondacaro, Julia Louis-Dreyfus ![]()
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